「Let me be what I want to be」
Solo Exhibition
2022年04月30日(土)-05月15日(日)
12:00-19:00
※月曜日は定休日
会場：Great Books
reload 東京都世田谷区北沢3-19-20

「Let me be what I want to be」
Solo Exhibition
April 30th (Sat) -May 15th (Sun), 2022
Closed on Mondays
Opening hours: 12: 00-19:00
Venue: Great Books
〒155-0031 Tokyo, Setagaya City, Kitazawa, 3 Chome−19−20 reload

haru x Pamm, 2022

https://pereznico.com/haru-x-pamm

haru x pamm, 2022

https://pereznico.com/haru-x-pamm

"Passing by" Atelier portraits

Fabian & ユカリ, 2022

https://pereznico.com/passing-by-atelier-portraits-continuous

Stained glass (i), 2022

Atelier wall, 2022

Days of being wild, 2022

"Passing by" Atelier portraits

ユカリ, 2022

https://pereznico.com/passing-by-atelier-portraits-continuous

Atelier wall, 2022

Atelier wall (Kitchen), 2022

Nico Perez x CURBONby, 2021
Collaboration
CURBONbyとのコラボレーション

Notes, 2021

Stills photography, 2021
feature film「Parasite in love」
映画「恋する寄生虫」のスチール撮影

https://pereznico.com/stills

Kazuhei Kimura (MEN'S NON-NO), 2021

Havana, Cuba "The Reprint"
Exhibition excerpt, 2021

https://pereznico.com/havana-cuba-exhibitionexcerpt

Stills photography, 2021
feature film「Parasite in love」
映画「恋する寄生虫」のスチール撮影

https://pereznico.com/stills

Havana, Cuba "The Reprint"
Exhibition excerpt, 2021

https://pereznico.com/havana-cuba-exhibitionexcerpt

Stills photography, 2021
feature film「Parasite in love」
映画「恋する寄生虫」のスチール撮影

https://pereznico.com/stills

Havana, Cuba "The Reprint"
Exhibition excerpt, 2021

https://pereznico.com/havana-cuba-exhibitionexcerpt

Interview
Neut Magazine

http://neutmagazine.com/interview-nicoperez

Havana, Cuba "The Reprint"
Solo exhibition
2021年11月20日(土)～11月28日(日)
11月22日（月）は休館日
営業時間は 11: 00-19: 00
会場の様子ウルトラスーパーニューギャラリー
東京都渋谷区神宮前1-1-3

Havana, Cuba “The Reprint”
Solo exhibition
November 20th (Sat) -November 28th (Sun), 2021
Closed on Monday, November 22
Opening hours: 11: 00-19: 00
Venue: UltraSuperNew gallery
1-1-3 Jingumae, Shibuya-ku, Tokyo

SS22 Paris Collection
beautiful people

https://pereznico.com/paris-collection-beautiful-people

Nakajo Masayoshi (Hanatsubaki magazine), 2018

Tama bijutsudaigaku no intabyū to shashin ここにいこう, 2020 ga furīmagajin `Whooops' no hyōshi ni keisai saremashita.
Interview for Tama art university & photo ここにいこう,2020 on the cover of there free magazine Whooops.

SS22 Paris Collection
beautiful people

https://pereznico.com/paris-collection-beautiful-people

Untitled fashion (leur logette), 2015

Atelier wall, 2021

SS22 Paris Collection
beautiful people

https://pereznico.com/paris-collection-beautiful-people

agnès b (Madame Figaro magazine), 2021

https://pereznico.com/figaro-agnes-b

eye_C magazine, 2021
Studio Nicholson

https://pereznico.com/eye_c-magazine-

Yamanashi, 2020

eye_C magazine, 2021
Studio Nicholson

https://pereznico.com/eye_c-magazine-

ここにいこう, 2020

agnès b (Madame Figaro magazine), 2021

https://pereznico.com/figaro-agnes-b

SS22 Paris Collection
beautiful people

https://pereznico.com/paris-collection-beautiful-people

Atelier wall,(iphone), 2021

SS22 Paris Collection
beautiful people

https://pereznico.com/paris-collection-beautiful-people

Le Monde
SS22 Paris Collection
beautiful people

SS22 Paris Collection
beautiful people

https://pereznico.com/paris-collection-beautiful-people

Soen Magazine, 2021

https://pereznico.com/soen-magazine

"Passing by" Atelier portraits

Serena & Tsugumi, 2020

https://pereznico.com/passing-by-atelier-portraits-continuous

Flowers by the sea, 2020

PRADA (Madame Figaro magazine), 2021

Words, 2021

PRADA (Madame Figaro magazine), 2021

離れる| Take Off (Book)
88 pages
23cm x 31cm
Softcover
Edition of 1
Self published, February 2021

https://pereznico.com/-take-off-book

Sky scene, 2014

離れる| Take Off (Book)
88 pages
23cm x 31cm
Softcover
Edition of 1
Self published, February 2021

https://pereznico.com/-take-off-book

Coach Fall 2021

https://pereznico.com/coach-campaign

GENIC Magazine, 2021

ADAM ET ROPE x Ayumi Hamamoto, 2021

Momentary (Book)
$35 USD (Sold Out)
36 Pages
B5 (17.6cm x 25cm)
Softcover
Hand Numbered & signed , Edition of 300
ISBN 978-908062-08-7 C0072
Self published, July 2015
Distributed by HeHe

https://pereznico.com/momentary-book

PRADA (Madame Figaro magazine), 2021

Morrissey, 2012

Notes (iphone), 2021

Coach Fall 2021 Global Campaign

https://pereznico.com/coach-campaign

Atelier wall (iphone), 2021

Ashes & petals, 2021

Charles Chaton A/W, 2021

Yusaku Maezawa (The Telegraph Newspaper), 2018

Here we are, blue humming, 2021

佐藤勝利 Shori Sato (bis magazine), 2021

Atelier wall (iphone), 2021

"Passing by" Atelier portraits (Alas), 2021

http://pereznico.com/passing-by-atelier-portraits-continuous

Vámonos,(3), 2021
8inch x 10inch

Hannah Yagi dress on Hana Sugisaki, 2021

BIRKENSTOCK original notebook.出会うに、ふれる

『The Theater of Everyday Lifeー日常という舞台で』

Vámonos, close (2), 2021

Vámonos, (1), 2021

I’m not quite there (I), 2020,

Untitled, 2020

Takahashi Rie | EP cover, 2021

"Passing by" Atelier portraits

Nene, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

Elbow light, 2021

This is the hour, a tint of blue, 2021

Yes, this is me. But who am i ?, 2021

Ai Hashimoto, 2021

https://pereznico.com/ai-hashimoto-sony-music

Architecture (Purple magazine Diary), 2019

https://pereznico.com/purple-buildings

Prints on tatami floor, 2020

https://pereznico.com/everything-is-nothing--nothing-is-everything

Actress Ono Machiko for the cover of FILT, 2021

https://filt.jp/index.html

Ai Hashimoto, 2021

https://pereznico.com/ai-hashimoto-sony-music

Notes, 2021

離れる| Take Off (Book)
88 pages
23cm x 31cm
Softcover
Edition of 1
Self published, February 2021

https://pereznico.com/-take-off-book

Exhibition excerpt, 2021

離れる| Take Off

https://pereznico.com/-take-off-exhibition-excerpt

Ai Hashimoto, 2021

https://pereznico.com/ai-hashimoto-sony-music

Ripped prints
iphone (May 10), 2021

Rinka Kumada (barfout Magazine), 2021

Lomography magazine

https://www.lomography.com/magazine/346069-chasing-light-with-nico-perez

Ai Hashimoto, 2021

https://pereznico.com/ai-hashimoto-sony-music

11.3/4 inch x 16.1/2 inch

Izumi Kato in his atelier (Whitelies Magazine), 2021

16.1/2 inch x 11.3/4 inch

Ai Hashimoto, 2021

https://pereznico.com/ai-hashimoto-sony-music

Tochigi, 2020

Houyhnhnm, 2021

https://www.houyhnhnm.jp/feature/457456/

Ai Hashimoto, 2021

https://pereznico.com/ai-hashimoto-sony-music

Shiseido hanatsubaki

https://hanatsubaki.shiseido.com/jp/threewisemonkeys/11861/

Over & over again (iiii), 2021

Lomography magazine

https://www.lomography.com/magazine/346069-chasing-light-with-nico-perez

Each time is just that little bit different, むげん, 2021

Ai Hashimoto, 2021

https://pereznico.com/ai-hashimoto-sony-music

Solo Exhibition
離れる| Take Off

The Plant magazine
Fuji 1/3, 2020

Solo Exhibition

離れる| Take Off

https://pereznico.com/movie

Solo Exhibition

離れる| Take Off

https://pereznico.com/movie

Notes, 2021 (Thoughts written whilst taking down photos from exhibition 展覧会の写真を撤去しながら書いた感想)

Solo Exhibition
離れる| Take Off

The Plant Magazine
Fuji Through Mist

Penguin Modern Classics Book cover
Yuko Tsushima | Territory of Light

Penguin Modern Classics Book cover
Yuko Tsushima | Child of Fortune

Rinka Kumada (barfout Magazine), 2021

hummel Japan, 2021

Fuji 3/3, 2020

Emma (ViVi Magazine), 2021

Fuji 2/3, 2020

Emma (ViVi Magazine), 2021

Solo Exhibition
離れる| Take Off

Emma (ViVi Magazine), 2021

Kumano, Wakayama (TRANSIT magazine), 2020

https://pereznico.com/transit-magazine

"Passing by" Atelier portraits

Luka, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

I feel that with you (Purple I) & Nana, 2021

Kingsland Road (Exhibition excerpt), 2017

https://www.pereznico.com/kingsland-road-independent

bis Magazine
Cover story with So Matsushima, 2020

Kumano, Wakayama (TRANSIT magazine), 2020

https://pereznico.com/transit-magazine

Direction & Photography
Charles Chaton S/S, 2021

http://pereznico.com/cc-21ss

Kumano, Wakayama (TRANSIT magazine), 2020

https://pereznico.com/transit-magazine

Apples on screen, 2020

An Autumn journey with excellent quality luggage, 2020

https://pereznico.com/Anautamnjourneysuitcases

Archive (Ginza magazine) , 2019

Whim x Opnner, 2020

Photography for Calbee Commercial

Yohji Yamamoto I, 2021

Yohji Yamamoto II, 2021

Yohji Yamamoto III, 2021

Kumano, Wakayama (TRANSIT magazine), 2020

https://pereznico.com/transit-magazine

Rinko Kawauchi (Shiseido Hanatsubaki magazine), 2021

Kumano, Wakayama (TRANSIT magazine), 2020

https://pereznico.com/transit-magazine

bis magazine, 2021

Kumano, Wakayama (TRANSIT magazine), 2020

https://pereznico.com/transit-magazine

bis magazine, 2021

Kumano, Wakayama (TRANSIT magazine), 2020

https://pereznico.com/transit-magazine

Untitled fashion, 2015

Kaki tree, 2020

bis Magazine, 2021

"Passing by" Atelier portraits

Serena, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Untitled, 2020

"Passing by" Atelier portraits

Tsugumi, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Tokyo Plant Life (2), 2020

"Passing by" Atelier portraits

Serena, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Tokyo Plant Life (1), 2020

bis Magazine, 2021

Sea stills, 2020

bis Magazine, 2020

Different visions, 2020

bis Magazine, 2021

Crow, 2020

bis Magazine, 2021

Apples, (I,II), 2020

Numéro TOKYO (Chrome Hearts), 2021

I feel that with you (II), 2020

Airi Suzuki (Ray Magazine), 2021

I'm not quite there (II), 2020

Morning atelier wall (Kitchen), 2020

Notes, 2020

"Passing by" Atelier portraits

Serena, Tsugumi, Bebe, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Unpublished, 2020

Imperfect horizon (I), 2020

Imperfect horizon (II), 2020

Imperfect horizon (III), 2020

I'm not quite there (I), 2020

(Test print), 2020
Whim x Opnner

I feel that with you (I), 2020

Whim x Opnner, 2020

Notes, 2020

"Passing by" Atelier portraits

Serena, Tsugumi, Bebe, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Notes (If only), 2020

Untititled, 2020

Morning atelier wall, 2020

Cover photography
Penguin Modern Classics
Yuko Tsushima Child of Fortune

I thought of you mum, 2020

"Passing by" Atelier portraits

Rina, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Pomegranate, 2020

Jaw, 2019

ここにいこう, 2020

Notes, 2019/2020

"Passing by" Atelier portraits

Bebe, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

"Passing by" Atelier portraits

Livia & Theo, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Tape & moon, 2020

Notes, 2020

Charles Chatton, 2020

Notes, 2020

Kotona Minami, SO-EN Magazine, 2020

Girl Vol.38

Notes, 2020

Sky observations, 2020

Notes, 2020

I saw more than one scene, 2020

Notes, 2020

BLEU DE CHANEL EAU DE PARFUM, 2020

34.61inch x 51.15 inch (Relationship with Sakura, 2020) on wooden panel

ViVi Magazine, 2021

Kanto Gakuin University, 2020

(Compass 2020 brochure)

Rina Ota in dress by Tomo Koizumi, 2019

http://pereznico.com/rina-ota-in-tomo-koizumi-fashion

"Passing by" Atelier portraits

Masafumi Watanabe (Bebe), 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

"Passing by" Atelier portraits

Marianna, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

KHRUANGBIN, 2020

(So We Won't Forget)

Poster & stills for the music video of American musical trio KHRUANGBIN

http://pereznico.com/khruangbin-music-video-poster--stills

Notes, 2015

Hand at atelier, 2020

It was only ice, 2020

Details, 2020

Hajime san's rose at my atelier, 2020

"Passing by" Atelier portraits

Mala, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

Suzu Hirose (SO-EN magazine), 2014

POLA, 2019

Kate NV (Musician), 2018

Spring/Summer 2020 eye_C magazine cover, 2020

"Passing by" Atelier portraits

Sam, Eri, Seren, 2021

http://pereznico.com/passing-by-atelier-portraits-continuous

Archive, 2019

Details, 2020

Notes, 2020

Tochigi, 2020

Notes, 2019

ViVi Magazine, 2020

Ripped print (eye), 2020

"Passing by" Atelier portraits

Haru, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Light on back, 2020

London (Hackney downs), 2017

Yūmi Kawai, SO-EN Magazine, 2020
Girl Vol.37

Relationship with Sakura, 2020

http://pereznico.com/sakura-2020

London (Hackney downs), 2017

Relationship with Sakura (2020)

http://pereznico.com/sakura-2020

Baby on the shoulder, 2017

Archive | Magazine
Mitsuki Takahata, 2016

"Passing by" Atelier portraits

Kokoro, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

ViVi magazine, 2020

Egg shell, 2020

ViVi magazine, 2020

"Passing by" Atelier portraits

Keito, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

"Passing by" Atelier portraits

Francis, 2020

http://pereznico.com/passing-by-atelier-portraits-continuous

Aoyama, 2020

Chasing Blue, 2019
http://pereznico.com/chasing-blue--exhibition

Å Journal, 2019

http://pereznico.com/-journal-fashion

Kanto Gakuin University, 2020
(Compass 2020 brochure)

2nd floor flower, 2020

"Passing by" Atelier portraits

Kayako, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

Make up at atelier, 2020

POLA

WE advertisement magazine covers, 2017-2019

"Passing by" Atelier portraits

Sakura, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

"Passing by" Atelier portraits

Ruka, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

Charles Chaton 2020 S/S Visual film Stills, 2020

"Passing by" Atelier Portraits

Luka & Sakura, 2019

http://pereznico.com/passing-by-atelier-portraits-continuous

Film director Yukiko Mishima & actress Kaho for FILT, 2019

City scape, 2019

七五三, 2019

Shichi-Go-San ("Seven-Five-Three") “Is a traditional rite of passage and festival day in Japan for three- and seven-year-old girls and five-year-old (and less commonly three-year-old) boys, held annually on November 15 to celebrate the growth and well-being of young children.
Its meaning is to celebrate the survival of children, because in the past people have lost their children due to poor health conditions.
Over time, this tradition passed to the samurai class who added a number of rituals. Children—who up until the age of three were required by custom to have shaven heads—were allowed to grow out their hair. Boys of age five could wear hakama for the first time, while girls of age seven replaced the simple cords they used to tie their kimono with the traditional obi. By the Meiji period, the practice was adopted amongst commoners as well, and included the modern ritual of visiting a shrine to drive out evil spirits and wish for a long healthy life. The tradition has changed little since the Meiji period. While the ritual regarding hair has been discarded, boys who are aged five and girls who are aged three or seven are still dressed in kimono—many for the first time—for visits to shrines.”