Archive (Ginza magazine, 2019)
Photography for Calbee Commercial
Everything is Nothing & Nothing is Everything (Yohji Yamamoto II, 2021)
Everything is Nothing & Nothing is Everything (Yohji Yamamoto III, 2021)
TRANSIT magazine
Kumano, Wakayama
Rinko Kawauchi
Shiseido Hanatsubaki magazine
TRANSIT magazine
Kumano, Wakayama
TRANSIT magazine
Kumano, Wakayama
TRANSIT magazine
Kumano, Wakayama
Numéro TOKYO
Chrome Hearts
I'm not quite there (II), 2020
Morning atelier wall (Kitchen), 2020
Imperfect horizon (I), 2020
Imperfect horizon (II), 2020
Imperfect horizon (III), 2020
I'm not quite there (I), 2020
(Test print), 2020
Whim x Opnner
Masayoshi Nakajo san | Hanatsubaki magazine
Rejendo gurafikku dezainā, Shiseidō `hana tsubaki' no ātodirekutā o naganen tsutometa 仲條正義 san
Legend graphic designer and long time art director for Shiseido’s Hanatsubaki magazine
Morning atelier wall, 2020
Cover photography
Penguin Modern Classics
Yuko Tsushima Child of Fortune
Sun setting behind trees in Tochigi, 2020
BLEU DE CHANEL
EAU DE PARFUM
Three years later, I still remember these kids playing with that ball, how would I have guessed where I would be now? If I had known what was to have come I may never have been ready, oneself needs more time to grow, as we forever will. I'll always remember these kids playing with that ball.
(Brighton, UK, 2017)
(Words, 2020)
34.61inch x 51.15 inch (Relationship with Sakura, 2020) on wooden panel
Kanto Gakuin University
Compass 2021 brochure booklet
Hajime san's rose at my atelier, 2020
Archive | Soen magazine
Actress Suzu Hirose
I'm flawed but i'll keep trying, 2020
Musician Kate NV | lutemedia
Spring/Summer 2020 eye_C magazine cover
London (Hackney downs), 2017
SOEN Magazine
Girl Vol.37
London (Hackney downs), 2017
Baby on the shoulder, 2017
Kanto Gakuin University
Compass 2020 brochure booklet
Make up at my atelier, 2020
Direction & Photography - Charles Chaton 2020 S/S Visual film | Laforet Harajuku
Direction & Photography - Charles Chaton 2020 S/S Visual film | Laforet Harajuku
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film Stills
Film director Yukiko Mishima & actress Kaho for Filt. An interview on there latest film “Red” released next February 21.
三島有紀子監督の最新作『Red』(来年2月21日公開)。誰もがうらやむ夫と可愛い娘を持ちながら、どこか満たされない主婦・塔子(夏帆)が、かつての恋人・鞍田(妻夫木聡)との再会で、自分を再発見していく大人のラブストーリーだ
City scape, 2019
(My visual image of the city changes often, it warps with my own perception & emotion. An imperfect interpretation)
七五三
Shichi-Go-San ("Seven-Five-Three") “Is a traditional rite of passage and festival day in Japan for three- and seven-year-old girls and five-year-old (and less commonly three-year-old) boys, held annually on November 15 to celebrate the growth and well-being of young children.
Its meaning is to celebrate the survival of children, because in the past people have lost their children due to poor health conditions.
Over time, this tradition passed to the samurai class who added a number of rituals. Children—who up until the age of three were required by custom to have shaven heads—were allowed to grow out their hair. Boys of age five could wear hakama for the first time, while girls of age seven replaced the simple cords they used to tie their kimono with the traditional obi. By the Meiji period, the practice was adopted amongst commoners as well, and included the modern ritual of visiting a shrine to drive out evil spirits and wish for a long healthy life. The tradition has changed little since the Meiji period. While the ritual regarding hair has been discarded, boys who are aged five and girls who are aged three or seven are still dressed in kimono—many for the first time—for visits to shrines.”
Actress Kaho for the cover of FILT
こわせる人
|Contact sheet| actress Nana Komatsu in Marni
|Contact sheet| actress Nana Komatsu in Marc by Marc Jacobs
Untitled fashion (Angelina in white) Archive
Ripped print, 2019 (Untitled fashion)
That day in Brighton, i remember it so well, yet it seems so for away, 2019
(Contact frames, 2017)
Ripped print, 2019
(London, 2017)
Actress Sei Shiraishi for Bis magazine
Kunichi Nomura | Dazed & Confused Korea
Progression of light, 2019
Unpublished fashion, 2017
Penguin Modern Classics Book cover
Yuko Tsushima | Child of Fortune
Penguin Modern Classics Book cover
Yuko Tsushima | Territory of Light