Direction, production & photography
"An Autumn journey with excellent quality luggage"
http://pereznico.com/new-horizons
Archive (Ginza magazine, 2019)
Whim x Opnner
Photography for Calbee Commercial
Everything is Nothing & Nothing is Everything (Yohji Yamamoto I, 2021)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Everything is Nothing & Nothing is Everything (Yohji Yamamoto II, 2021)
Everything is Nothing & Nothing is Everything (Yohji Yamamoto III, 2021)
TRANSIT magazine
Kumano, Wakayama
bis magazine
Rinko Kawauchi
Shiseido Hanatsubaki magazine
こもれび, 2020
bis magazine
TRANSIT magazine
Kumano, Wakayama
Flowers by the sea, 2020
TRANSIT magazine
Kumano, Wakayama
bis magazine
TRANSIT magazine
Kumano, Wakayama
YSL
Kaki tree, 2020
bis Magazine
Everything is Nothing & Nothing is Everything (Untitled, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
bis Magazine
Sea stills, 2020
SOEN Magazine
Girl Vol.40
bis Magazine
bis Magazine
Everything is Nothing & Nothing is Everything (Different visions, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
bis Magazine
Everything is Nothing & Nothing is Everything (Crow, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
bis Magazine
Apples, (I,II), 2020
Numéro TOKYO
Chrome Hearts
Airi Suzuki
Ray Magazine
I'm not quite there (II), 2020
Morning atelier wall (Kitchen), 2020
Notes, 2020
“Everything is Nothing & Nothing is Everything” (Unpublished, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Imperfect horizon (I), 2020
Imperfect horizon (II), 2020
Imperfect horizon (III), 2020
I'm not quite there (I), 2020
(Test print), 2020
Whim x Opnner
Whim x Opnner
Whim x Opnner
Notes, 2020
ViVi Magazine
Notes (If only), 2020
Untititled, 2020
Everything is Nothing & Nothing is Everything (Untitled, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Masayoshi Nakajo san | Hanatsubaki magazine
Rejendo gurafikku dezainā, Shiseidō `hana tsubaki' no ātodirekutā o naganen tsutometa 仲條正義 san
Legend graphic designer and long time art director for Shiseido’s Hanatsubaki magazine
Morning atelier wall, 2020
Cover photography
Penguin Modern Classics
Yuko Tsushima Child of Fortune
SOEN Magazine
Girl Vol.39
Everything is Nothing & Nothing is Everything (Blue flower shadow frames, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Everything is Nothing & Nothing is Everything (Pomegranate, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Everything is Nothing & Nothing is Everything (Jaw, 2019)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Everything is Nothing & Nothing is Everything (ここにいこう, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Notes, 2019/2020
"Passing by" Atelier portraits
http://pereznico.com/passing-by-atelier-portraits-continuous
Everything is Nothing & Nothing is Everything (Playground,2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
Everything is Nothing & Nothing is Everything (Tape & moon, 2020)
http://pereznico.com/everything-is-nothing--nothing-is-everything
“Everything is Nothing & Nothing is Everything”
This is a continuous series of images created by a mix of processes, analogue, digital, and iphone for now.
I feel the name of this series is appropriate as I find life can appear so different depending on how you view it. Something so small could mean everything to one person and yet to another it could mean absolutely nothing. Isn’t that beautiful?
すべては無である＆無はすべてである (everything is nothing & nothing is everything)。
これは今のところ、アナログ、デジタル、iphoneなどのプロセスをミックスして作られた連続的なイメージのシリーズです。
このシリーズ名が適切と感じているのは、人生は見方によってこんなにも違って見えるということです。 小さなことが、ある人にとってはすべてを意
味し、別の人にとってはまったく意味がないことがある。 それは美しいことではなないでしょうか？
http://pereznico.com/everything-is-nothing--nothing-is-everything
This is a continuous series of images created by a mix of processes, analogue, digital, and iphone for now.
I feel the name of this series is appropriate as I find life can appear so different depending on how you view it. Something so small could mean everything to one person and yet to another it could mean absolutely nothing. Isn’t that beautiful?
すべては無である＆無はすべてである (everything is nothing & nothing is everything)。
これは今のところ、アナログ、デジタル、iphoneなどのプロセスをミックスして作られた連続的なイメージのシリーズです。
このシリーズ名が適切と感じているのは、人生は見方によってこんなにも違って見えるということです。 小さなことが、ある人にとってはすべてを意
味し、別の人にとってはまったく意味がないことがある。 それは美しいことではなないでしょうか？
http://pereznico.com/everything-is-nothing--nothing-is-everything
Notes, 2020
Charles Chatton A/W 2020
Notes, 2020
SOEN Magazine
Girl Vol.38
Notes, 2020
Notes, 2020
Sky observations, 2020
Notes, 2020
Sun setting behind trees in Tochigi, 2020
Notes, 2020
BLEU DE CHANEL
EAU DE PARFUM
Three years later, I still remember these kids playing with that ball, how would I have guessed where I would be now? If I had known what was to have come I may never have been ready, oneself needs more time to grow, as we forever will. I'll always remember these kids playing with that ball.
(Brighton, UK, 2017)
(Words, 2020)
34.61inch x 51.15 inch (Relationship with Sakura, 2020) on wooden panel
ViVi Magazine
Kanto Gakuin University
Compass 2021 brochure booklet
Rina Ota in Tomo Koizumi
KHRUANGBIN | So We Won't Forget
Poster & stills for the music video of American musical trio KHRUANGBIN
http://pereznico.com/khruangbin-music-video-poster--stills
Notes, 2020
It was only ice, 2020
Details, 2020
Hajime san's rose at my atelier, 2020
Archive | Soen magazine
Actress Suzu Hirose
I'm flawed but i'll keep trying, 2020
Archive | POLA
Musician Kate NV | lutemedia
Spring/Summer 2020 eye_C magazine cover
Tochigi, 2020
Archive
Details, 2020
Details, 2020
Notes, 2020
Tochigi, 2020
Notes, 2019
ViVi Magazine
Ripped print (eye), 2020
Light on back, 2020
London (Hackney downs), 2017
SOEN Magazine
Girl Vol.37
London (Hackney downs), 2017
Baby on the shoulder, 2017
Archive | Magazine
ViVi magazine
Egg shell, 2020
ViVi magazine
Yamanashi, 2020
Aoyama, 2020
Kanto Gakuin University
Compass 2020 brochure booklet
2nd floor flower, 2020
Make up at my atelier, 2020
Direction & Photography - Charles Chaton 2020 S/S Visual film | Laforet Harajuku
Direction & Photography - Charles Chaton 2020 S/S Visual film | Laforet Harajuku
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film | Laforet Harajuku (Short)
Charles Chaton 2020 S/S Visual film Stills
"Passing by" Atelier Portraits is a continuing series of photographs of people that have passed through my Atelier. Each experience with these people has been different, it has been to my great benefit to listen to you and share that time with you, and to continue doing so in this series. With some people it was a short encounter where a conversation would take time to come about but a photograph was immediate. Other times it was just a random photograph at a random time. With some it was like a fashion shoot & then with others deep emotions were shared and experiences and stories told. I would like to thank you for your time, and thank you for those who shared so much and for those who couldn't too. I appreciate you all. I will continue to photograph this series, until when? I do not know, but i look forward to the journey of this series of photographs. "Passing by" Atelier Portraits
"Passing by" Atelier Portraits は、私のアトリエを通り過ぎていった人たちを撮影したポートレートのシリーズです。
出会う人によって全く違う経験になるので、彼らの話を聞いて、一緒に過ごせることは、すごくためになっています。出会ったばかりで、会話がはずむ間もなく一瞬で撮った写真もあれば、行き当たりばったりでランダムに撮影したもの、ファッション撮影のようなもの、話してくれたことに深く感動してできたものもあります。
たくさんシェアしてくれた人も、それが叶わなかった人も、協力してくれてありがとう。
このシリーズをいつまで撮り続けるのかはまだわからないけれど、"Passing by" Atelier Portraits という旅の行方を楽しみにしています。
http://pereznico.com/passing-by-atelier-portraits-continuous
"Passing by" Atelier Portraits は、私のアトリエを通り過ぎていった人たちを撮影したポートレートのシリーズです。
出会う人によって全く違う経験になるので、彼らの話を聞いて、一緒に過ごせることは、すごくためになっています。出会ったばかりで、会話がはずむ間もなく一瞬で撮った写真もあれば、行き当たりばったりでランダムに撮影したもの、ファッション撮影のようなもの、話してくれたことに深く感動してできたものもあります。
たくさんシェアしてくれた人も、それが叶わなかった人も、協力してくれてありがとう。
このシリーズをいつまで撮り続けるのかはまだわからないけれど、"Passing by" Atelier Portraits という旅の行方を楽しみにしています。
http://pereznico.com/passing-by-atelier-portraits-continuous
Film director Yukiko Mishima & actress Kaho for Filt. An interview on there latest film “Red” released next February 21.
三島有紀子監督の最新作『Red』(来年2月21日公開）。誰もがうらやむ夫と可愛い娘を持ちながら、どこか満たされない主婦・塔子（夏帆）が、かつての恋人・鞍田（妻夫木聡）との再会で、自分を再発見していく大人のラブストーリーだ
City scape, 2019
(My visual image of the city changes often, it warps with my own perception & emotion. An imperfect interpretation)
七五三
Shichi-Go-San ("Seven-Five-Three") “Is a traditional rite of passage and festival day in Japan for three- and seven-year-old girls and five-year-old (and less commonly three-year-old) boys, held annually on November 15 to celebrate the growth and well-being of young children.
Its meaning is to celebrate the survival of children, because in the past people have lost their children due to poor health conditions.
Over time, this tradition passed to the samurai class who added a number of rituals. Children—who up until the age of three were required by custom to have shaven heads—were allowed to grow out their hair. Boys of age five could wear hakama for the first time, while girls of age seven replaced the simple cords they used to tie their kimono with the traditional obi. By the Meiji period, the practice was adopted amongst commoners as well, and included the modern ritual of visiting a shrine to drive out evil spirits and wish for a long healthy life. The tradition has changed little since the Meiji period. While the ritual regarding hair has been discarded, boys who are aged five and girls who are aged three or seven are still dressed in kimono—many for the first time—for visits to shrines.”
Frames & words, 2019
Actress Kaho for the cover of FILT
こわせる人
FILT
こわせる人
|Contact sheet| actress Nana Komatsu in Marni
|Contact sheet| actress Nana Komatsu in Marc by Marc Jacobs
Untitled fashion (Angelina in white) Archive
Kokuyo (1,2,3)
Ripped print, 2019
Kaki tree, 2019
Å Journal contacts
Ripped print, 2019 (Untitled fashion)
Feelings, 2019
That day in Brighton, i remember it so well, yet it seems so for away, 2019
(Contact frames, 2017)
Ripped print, 2019
(London, 2017)
Ginza Magazine
Actress Sei Shiraishi for Bis magazine
Ripped print, 2019
Kunichi Nomura | Dazed & Confused Korea
leur logette
"Chasing Blue" exhibition April 18 - April 24
More info: http://al-tokyo.blogspot.com/2019/03/nico-perez-chasing-blue.html
Numéro Japan
Progression of light, 2019
Unpublished fashion, 2017
YSL
Olympus Pen, 2017
Soen Magazine
Lula Japan
February tree, 2016
Blowing hair, 2016
Early morning, 2015
Cigarette & hands, 2016
Blue morning tape, 2017
Soen magazine
Penguin Modern Classics Book cover
Yuko Tsushima | Child of Fortune
Penguin Modern Classics Book cover
Yuko Tsushima | Territory of Light
Dusk in Nagasaki, 2015
Peeling window, 2015
Sky scene, 2014